Of course, now I had the problem of communicating what I needed. Marlen was still beating on the door, and Dimitri would be up in a couple of minutes. I glared at the human, hoping I looked terrifying. From his expression, I did. I attempted the caveman talk I had with Inna...only this time the message was a little harder.
"Stick," I said in Russian. I had no clue what the word for stake was. I pointed at the silver ring I wore and made a slashing motion. "Stick. Where?"
He stared at me in utter confusion and then asked, in perfect English, "Why are you talking like that?"
"Oh for God's sake," I exclaimed. "Where is the vault?"
"Vault?"
"A place they keep weapons?"
He continued staring.
"Oh," he said. "That." Uneasily, he cast his eyes in the direction of the pounding.
Life is tragic simply because the earth turns and the sun inexorably rises and sets, and one day, for each of us, the sun will go down for the last, last time. Perhaps the whole root of our trouble, the human trouble, is that we will sacrifice all the beauty of our lives, will imprison ourselves in totems, taboos, crosses, blood sacrifices, steeples, mosques, races, armies, flags, nations, in order to deny the fact of death, the only fact we have. It seems to me that one ought to rejoice in the fact of death--ought to decide, indeed, to earn one's death by confronting with passion the conundrum of life. One is responsible for life: It is the small beacon in that terrifying darkness from which we come and to which we shall return.