Roads Go Ever On
Roads go ever ever on,
Over rock and under tree,
By caves where never sun has shone,
By streams that never find the sea;
Over snow by winter sown,
And through the merry flowers of June,
Over grass and over stone,
And under mountains in the moon.
Roads go ever ever on,
Under cloud and under star.
Yet feet that wandering have gone
Turn at last to home afar.
Eyes that fire and sword have seen,
And horror in the halls of stone
Look at last on meadows green,
And trees and hills they long have known.
The Road goes ever on and on
Down from the door where it began.
Now far ahead the Road has gone,
And I must follow, if I can,
Pursuing it with eager feet,
Until it joins some larger way,
Where many paths and errands meet.
The Road goes ever on and on
Down from the door where it began.
Now far ahead the Road has gone,
And I must follow, if I can,
Pursuing it with weary feet,
Until it joins some larger way,
Where many paths and errands meet.
And whither then? I cannot say.
The Road goes ever on and on
Out from the door where it began.
Now far ahead the Road has gone.
Let others follow, if they can!
Let them a journey new begin.
But I at last with weary feet
Will turn towards the lighted inn,
My evening-rest and sleep to meet.
Charlotte, darling, Henry said to his wife, who was staring at im in gape-mouthed horror. Jassamine, beside her, was wided eyed. Sorry im late. You know, i think i might nearly have the sensor working-
Will interrupted. Henry, he said, your on fire. You do know that, don't you?
Oh, yes, Henry said eagerly. The flames were now nearly to his shoulder. I've been working like a man possessed all day. Charlotte, did you hear what i said about the sensor?
Charlotte dropped her hand from her mouth. Henry! She shrieked. Your arm!
Henry glanced down at his arm, and his mouth dropped open.
Bloody hell!
It seems that a profound, impartial, and absolutely just opinion of our fellow-creatures is utterly unknown. Either we are men, or we are women. Either we are cold, or we are sentimental. Either we are young, or growing old. In any case life is but a procession of shadows, and God knows why it is that we embrace them so eagerly, and see them depart with such anguish, being shadows. And why, if this -- and much more than this is true -- why are we yet surprised in the window corner by a sudden vision that the young man in the chair is of all things in the world the most real, the most solid, the best known to us--why indeed? For the moment after we know nothing about him.
Such is the manner of our seeing. Such the conditions of our love.